A Clockwork Iris

A Clockwork Iris

1 December 2023By Robert CreminsBlog

Murdoch’s notable 1961 essay ‘Against Dryness’ introduces the idea of the ‘written’ novel – a line of argument that is an instance of the ‘confident, ambitious breadth of reference’ Peter J. Conradi mentions in his preface to Existentialists and Mystics:

Most modern English novels indeed are not written. One feels they could slip into some other medium without much loss. It takes a foreigner like Nabokov or an Irishman like Beckett to animate prose language into an imaginative stuff in its own right.

The Sandcastle (Re-reading Early Murdoch)

The Sandcastle (Re-reading Early Murdoch)

18 July 2023By Elizabeth WhittomeBlog

Murdoch concludes her essay ‘The Sublime and the Beautiful Revisited’ (1959) with a very expressive metaphor: ‘a novel must be a house fit for free characters to live in; and to combine form with a respect for reality with all its odd contingent ways is the highest art of prose.’ Surely we see this in The Sandcastle? Moreover, she never again explored the subject of portrait painting or indeed school-teaching in such depth, though we see in her next great novel The Bell a further development of an enclosed society with its tensions between sacred and profane love.

Para-Illustrating Iris Murdoch

Para-Illustrating Iris Murdoch

30 May 2023By Matthew RichardsonBlog

I am an artist and illustrator undertaking a practice-based PhD project at Kingston School of Art titled Para-Illustration: Gaps, fragments and spaces of the literary imagination. My project explores the space between reading and seeing and the literary and visual to propose the practice of para-illustration – a creative process that uses a writer’s notes, drafts and archives as sources for literary images.