Through my paintings and drawings I’ve attempted to capture moments in time and the symbolism of the everyday. By immersing myself in the act of painting and drawing, I would like to think that I’m engaged in a process of deep attention, allowing the artworks to evolve organically and often incorporating unexpected elements. Murdoch and, importantly, the Iris Murdoch community have offered me new ideas to explore, new ways to interpret and think about my own work, and also a lot of enjoyment!
This piece was performed at the University of East Anglia on the 6th December, 2014 as part of an event entitled ‘An Afternoon with Iris: Life, Thought, Writing’.
The influence and impact of Iris Murdoch’s work is increasing exponentially each year and the Iris Murdoch Review likewise seems to grow with each issue. This edition contains a wide-ranging collection of essays, reviews and reports variously connected by specific features. We begin with celebrations of Murdoch at home and abroad, then move on to America, art, philosophy and literature – specifically by women writers: a set of topics that encapsulates Murdoch’s life of working, writing and travelling.
The Research Centre at Chichester was delighted to announce the start of a new working relationship with Palgrave Macmillan; an open-ended project entitled ‘Iris Murdoch Today’ that will produce two books a year (monographs and edited collections) overseen by myself and the Deputy Director of the Centre, Frances White.
Iris Murdoch met the painter Harry Weinberger (1924-2009) by chance in the mid-1970s and in him she instantly recognised a kindred spirit. For more than two decades, they maintained an intimate friendship and rigorous intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art.