Re-Reading Iris Murdoch’ s Early Fiction
The quest of Iris Murdoch to perceive some rays of light piercing through the mist of human confusion and folly will go on for 21 more novels. I’m looking forward to continue my exploration.
The Sandcastle
Iris Murdoch and J.B. Priestley
A Severed Head is perhaps Murdoch’s most successful foray into the world of theatre. She co-wrote the script for A Severed Head with the playwright and novelist JB Priestley. While Murdoch’s career as a playwright was limited, she did at least have this one triumph in the West End and established a lasting friendship with Priestley.
Losing the Plot: Rereading, Forgetting, and Iris Murdoch
It’s a testament to Murdoch’s skill and power as a novelist that it isn’t just about the surprises. She creates delicious suspense and complex plots but is much more than a teller of entertaining stories. While plots are wonderful things, and Murdoch is a great plotter, my not remembering some of them over the decades has only led to a joyful rediscovering each time I open one of her books.
Other Journeys: Reflections on reading Iris Murdoch and making art
Through my paintings and drawings I’ve attempted to capture moments in time and the symbolism of the everyday. By immersing myself in the act of painting and drawing, I would like to think that I’m engaged in a process of deep attention, allowing the artworks to evolve organically and often incorporating unexpected elements. Murdoch and, importantly, the Iris Murdoch community have offered me new ideas to explore, new ways to interpret and think about my own work, and also a lot of enjoyment!
The Lives and Deaths of Iris Murdoch: A Dialogue
This piece was performed at the University of East Anglia on the 6th December, 2014 as part of an event entitled ‘An Afternoon with Iris: Life, Thought, Writing’.
The Lost Jerusalem
Few authors write and subsequently publish their first attempted work, and Iris was no exception. Several novels were started and later discarded (almost certainly destroyed) in the late 1940s and early 1950s. We know very little about any of these save ‘Our Lady of the Bosky Gates’.
Iris and the Missing Tape
Iris Murdoch herself visited Japan along with husband John Bayley at the request of the British Council. They stayed for around two weeks and the lecture Iris gave in Kobe that I attended took place at the Kobe Institute of St. Catherine’s on Friday 28th May 1993. This wide-ranging talk was on ‘The Modern Novel’.
The Sandcastle (Re-reading Early Murdoch)
Murdoch concludes her essay ‘The Sublime and the Beautiful Revisited’ (1959) with a very expressive metaphor: ‘a novel must be a house fit for free characters to live in; and to combine form with a respect for reality with all its odd contingent ways is the highest art of prose.’ Surely we see this in The Sandcastle? Moreover, she never again explored the subject of portrait painting or indeed school-teaching in such depth, though we see in her next great novel The Bell a further development of an enclosed society with its tensions between sacred and profane love.
Tom Phillips, Iris Murdoch, and the Flaying of Marsyas
Murdoch’s great love of the Flaying of Marsyas ignited Phillips’ inspiration. ‘When the National Portrait Gallery commissioned me to paint her portrait I recalled our conversation’, he said, and he ‘started a fairly hasty copy of the picture to act as a backdrop so that she might sit in front of the head of Marsyas.’ Phillips sketched in the Titian with broad brushstrokes; in contrast, he rendered the image of Murdoch herself with great precision and imbued it with a translucent, otherworldly light