Re-Reading Iris Murdoch’ s Early Fiction
The quest of Iris Murdoch to perceive some rays of light piercing through the mist of human confusion and folly will go on for 21 more novels. I’m looking forward to continue my exploration.
Under the Net
‘It depends on the liver’: Alcoholism, Detoxification, Regeneration and Wound-healing in A Fairly Honourable Defeat
What makes a novel alcoholic? In light of the above admission about my 2017 thought process, I deduced that I had not made a thorough enough case for choosing A Fairly Honourable Defeat as the tie-in for liver disease and decided to conduct some qualitative research to find out which is Iris Murdoch’s most alcoholic novel.
Other Journeys: Reflections on reading Iris Murdoch and making art
Through my paintings and drawings I’ve attempted to capture moments in time and the symbolism of the everyday. By immersing myself in the act of painting and drawing, I would like to think that I’m engaged in a process of deep attention, allowing the artworks to evolve organically and often incorporating unexpected elements. Murdoch and, importantly, the Iris Murdoch community have offered me new ideas to explore, new ways to interpret and think about my own work, and also a lot of enjoyment!
The Lives and Deaths of Iris Murdoch: A Dialogue
This piece was performed at the University of East Anglia on the 6th December, 2014 as part of an event entitled ‘An Afternoon with Iris: Life, Thought, Writing’.
The Lost Jerusalem
Few authors write and subsequently publish their first attempted work, and Iris was no exception. Several novels were started and later discarded (almost certainly destroyed) in the late 1940s and early 1950s. We know very little about any of these save ‘Our Lady of the Bosky Gates’.
The Sandcastle (Re-reading Early Murdoch)
Murdoch concludes her essay ‘The Sublime and the Beautiful Revisited’ (1959) with a very expressive metaphor: ‘a novel must be a house fit for free characters to live in; and to combine form with a respect for reality with all its odd contingent ways is the highest art of prose.’ Surely we see this in The Sandcastle? Moreover, she never again explored the subject of portrait painting or indeed school-teaching in such depth, though we see in her next great novel The Bell a further development of an enclosed society with its tensions between sacred and profane love.
Reading Iris. All of it.
I looked out Under the Net from our bookcase and found a lovely old Penguin with Margaret Foreman’s beautiful painting of Jake in his chair. I was captivated again and found we had The Bell, The Nice and the Good and about four or five more. I had to read all of them and then, being something of a completist, had to read the rest of the novels, most of which I had never heard of or seen in print.
Collecting Iris Murdoch: The Fiction
Serious book collecting isn’t the draw it was for earlier generations, and the biggest prices are still attached to the works of the canonical dead white males (although Dickens can be surprisingly cheap), making Murdoch and some of her contemporaries viable and reasonable to collect. So how do you go about starting a collection of Murdoch’s works? Where do you find them? And, crucially, how much should you pay?
Iris Murdoch and The Laughing Cavalier
The Cavalier could boast many distinguished visitors; his image has been gracing the Wallace’s sumptuous central gallery for decades. Among them was Iris Murdoch, visiting with her beloved father as a child and in the 1940s as an aspiring writer and philosopher …
Malcolm Bradbury as Murdoch Critic
At first glance, Malcolm may seem like a surprising choice as a guide to Murdoch’s novels, because he is best remembered—or so the anecdotal evidence I have gathered suggests—as a Murdoch parodist rather than critic.
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