It’s a testament to Murdoch’s skill and power as a novelist that it isn’t just about the surprises. She creates delicious suspense and complex plots but is much more than a teller of entertaining stories. While plots are wonderful things, and Murdoch is a great plotter, my not remembering some of them over the decades has only led to a joyful rediscovering each time I open one of her books.
Murdoch’s great love of the Flaying of Marsyas ignited Phillips’ inspiration. ‘When the National Portrait Gallery commissioned me to paint her portrait I recalled our conversation’, he said, and he ‘started a fairly hasty copy of the picture to act as a backdrop so that she might sit in front of the head of Marsyas.’ Phillips sketched in the Titian with broad brushstrokes; in contrast, he rendered the image of Murdoch herself with great precision and imbued it with a translucent, otherworldly light